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Literary and Cultural Theory 1. What Is Literary Theory?
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|Literary Theory | Internet Encyclopedia of Philosophy||Alternately, you may wish to construct your essay in such a way that you compare and contrast the literal and psychological forms of darkness.|
Literary theory refers to any principles derived from internal analysis of literary texts or from knowledge external to the text that can be applied in multiple interpretive situations. All critical practice regarding literature depends on an underlying structure of ideas in at least two ways: Critics that explain the climactic drowning of Edna Pontellier in The Awakening as a suicide generally call upon a supporting architecture of feminist and gender theory.
The structure of ideas that enables criticism of a literary work may or may not be acknowledged by the critic, and the status of literary theory within the academic discipline of literary studies continues to evolve.
Literary theory and the formal practice of literary interpretation runs a parallel but less well known course with the history of philosophy and is evident in the historical record at least as far back as Plato.
Modern literary theory gradually emerges in Europe during the nineteenth century.
In one of the earliest developments of literary theory, German "higher criticism" subjected biblical texts to a radical historicizing that broke with traditional scriptural interpretation.
This dispute was taken up anew by the French theorist Roland Barthes in his famous Heart of darkness colonialism thesis of the "Death of the Author.
Attention to the etymology of the term "theory," from the Greek "theoria," alerts us to the partial nature of theoretical approaches to literature. This is precisely what literary theory offers, though specific theories often claim to present a complete system for understanding literature.
The current state of theory is such that there are many overlapping areas of influence, and older schools of theory, though no longer enjoying their previous eminence, continue to exert an influence on the whole.
The once widely-held conviction an implicit theory that literature is a repository of all that is meaningful and ennobling in the human experience, a view championed by the Leavis School in Britain, may no longer be acknowledged by name but remains an essential justification for the current structure of American universities and liberal arts curricula.
The moment of "Deconstruction" may have passed, but its emphasis on the indeterminacy of signs that we are unable to establish exclusively what a word means when used in a given situation and thus of texts, remains significant. Many critics may not embrace the label "feminist," but the premise that gender is a social construct, one of theoretical feminisms distinguishing insights, is now axiomatic in a number of theoretical perspectives.
While literary theory has always implied or directly expressed a conception of the world outside the text, in the twentieth century three movements—"Marxist theory" of the Frankfurt School, "Feminism," and "Postmodernism"—have opened the field of literary studies into a broader area of inquiry.
Marxist approaches to literature require an understanding of the primary economic and social bases of culture since Marxist aesthetic theory sees the work of art as a product, directly or indirectly, of the base structure of society. Feminist thought and practice analyzes the production of literature and literary representation within the framework that includes all social and cultural formations as they pertain to the role of women in history.
Postmodern thought consists of both aesthetic and epistemological strands. Postmodernism in art has included a move toward non-referential, non-linear, abstract forms; a heightened degree of self-referentiality; and the collapse of categories and conventions that had traditionally governed art.
Postmodern thought has led to the serious questioning of the so-called metanarratives of history, science, philosophy, and economic and sexual reproduction. Under postmodernity, all knowledge comes to be seen as "constructed" within historical self-contained systems of understanding.
Marxist, feminist, and postmodern thought have brought about the incorporation of all human discourses that is, interlocking fields of language and knowledge as a subject matter for analysis by the literary theorist.
Using the various poststructuralist and postmodern theories that often draw on disciplines other than the literary—linguistic, anthropological, psychoanalytic, and philosophical—for their primary insights, literary theory has become an interdisciplinary body of cultural theory.
Taking as its premise that human societies and knowledge consist of texts in one form or another, cultural theory for better or worse is now applied to the varieties of texts, ambitiously undertaking to become the preeminent model of inquiry into the human condition. Literary theory is a site of theories: The other schools of literary theory, to varying degrees, embrace a postmodern view of language and reality that calls into serious question the objective referent of literary studies.
The following categories are certainly not exhaustive, nor are they mutually exclusive, but they represent the major trends in literary theory of this century. Traditional Literary Criticism Academic literary criticism prior to the rise of "New Criticism" in the United States tended to practice traditional literary history: Literary biography was and still is an important interpretive method in and out of the academy; versions of moral criticism, not unlike the Leavis School in Britain, and aesthetic e.
Perhaps the key unifying feature of traditional literary criticism was the consensus within the academy as to the both the literary canon that is, the books all educated persons should read and the aims and purposes of literature.
What literature was, and why we read literature, and what we read, were questions that subsequent movements in literary theory were to raise. Formalism and New Criticism "Formalism" is, as the name implies, an interpretive approach that emphasizes literary form and the study of literary devices within the text.
The work of the Formalists had a general impact on later developments in "Structuralism" and other theories of narrative. The Formalists placed great importance on the literariness of texts, those qualities that distinguished the literary from other kinds of writing.End-Time Pilgrim A scripturally based devotional guide into the 70th Week of Daniel and the climactic final 7 years of this age.
The Scramble for Africa was the occupation, division, and colonization of African territory by European powers during the period of New Imperialism, between and It is also called the Partition of Africa and by some the Conquest of regardbouddhiste.com , only 10 percent of Africa was under formal European control; by it had increased to .
Founded in , Macmillan Publishers is one of the largest global trade book publishers and home to numerous bestselling and award-winning fiction, nonfiction, and children’s books, from St.
Martin’s Press, Tor Books, Farrar, Straus & Giroux, Henry Holt, Picador, Flatiron Books, Celadon Books, and Macmillan Audio. Thesis Statement/Essay Topic #2: The Effects of Imperialism in “Heart of Darkness” by Joseph Conrad.
The central aim which the shipmates in Heart of Darkness is pursuing is the expansion of their home countries’ empires. I really enjoyed reading this. You brought up some interesting parallels that I never considered, like between the owners of the industrialization vs the owners of today’s infrastructures, and the way some of the accompanying issues come from to money machines moving into unregulated spaces in both eras.
Any opinions, findings, conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of UK Essays. Published: Mon, 5 Dec Joseph Conrad explores the nature of colonialism in his work “Heart of Darkness”.